In the novel Les Misérables by Victor Hugo, the main story is about the ex-convict Jean Valjean. Tolkien weaves in the layer of Saruman the wizard to show what happens when power is corrupted.Ī Subplot can mirror the main plot, and even intersect with it, but it has its own main characters, its own arc, and if pulled out of the story, could stand alone as a mini-story. Tolkien’s The Lord of the Rings one of the themes is power. Remember: theme is the overall idea of your story and can usually be summarized in one word such as courage or forgiveness or grace. ![]() It has an Inciting Incident, Obstacles, a Black Moment, and lessons learned (and hopefully a Happily Ever After).Ī Layer deepens the theme of the story. A Layer adds depth to the plot and enhances the character’s struggle – and eventually his/her Epiphany.How? Weave in an intriguing Layer or SubplotĪ story Layer and a Subplot are two different elements: It’s vital to plot a strong main story, but while you’re doing that, remember to deepen your story too. I lapsed into a romantic cliché there, didn’t I? And the long-awaited Happily-Ever-After, where our hero and heroine ride off into the sunset … ![]() The Black Moment, which is a repeat of the Dark Moment of the past. ![]() The Ds (Disappointments) or obstacles, that force them to face Ys in the Road and ask the question, “What do I do now?” over and over again. There are so many details that go into plotting our stories – one simple way to think of plotting is everything that happens to our hero and heroine: The Inciting Incident(s).
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